|
CHRIS GRABIEC: Co-owner of Dance
Regime as well being one of the UK’s newest most
promising up and coming DJ/Producer/Remixers. Based
in West London, mainly produces/DJs driving and uplifting
trance but is now exploring the Tech Trance sound. |
|
|
|
|
NAT CLARKSON: Co-owner of
Dance Regime. Nat has been producing for over 10 years
and has a kaleidoscopic array of projects under his
belt. 2010 is expected to be a busy year for Nat with
a number of releases scheduled by himself and as a
producer of new artists.
|
|
|
|
|
RAE WALDON: Essex born singer,
songwriter Rae Waldon has a string of successful collaborations
to her name. Working with producers such as MJ Cole,
Matt Schwartz,Ultra Beat, Brad Carter (Ruff Driverz),
Tom Neville, Paul Hobbs (Force & Styles) Tin Tin
out and many more. Her styles range from House, Trance,
and Trip Hop to Pop and Electro Rock. |
|
|
|
|
JAMES STOCK: Was lead vocalist
for Sunns of the Silent Age who where once XFM's unsigned
band of the week. James took a break from music in 2004
and now has come back to work on future Dance Regime
projects. |
|
|
|
|
JOELLE ATKINS: House DJ/ Producer
based in London. Beginning her DJ journey back in 2002.
Since then, Joelle has been building her profile on
& off the decks, with sets at some of London’s
coolest clubs for some of the capitals most talked about
events. Her sound is described by most as ‘Uplifting’
House music & very upfront in style. |
|
|
|
|
CHRISTINA NICOLA: Singer/Songwriter/Music
Producer based in London. Currently co-writing with
Chris Grabiec and on other Dance Regime projects. Christina
is also working with the producer “Survival”
as well as working on her own solo material for release
in 2010. |
|
|
|
|
PHILLIP BROWNE: Known best for
his work in the West End, well respected amongst top
industry professionals and performs at some of the most
prestigious Venues in London and the UK. Phillip has
also recorded vocals on movie soundtracks, which include
Disney’s release of The Lion King, The Nut Cracker,
The Secret Realm and many more. |
|
|
|
